some Michel Houellebecq quotes

“It’s my belief that we in Europe have neither a common language, nor common values, nor common interests, that, in a word, Europe doesn’t exist, and that it will never constitute a people or support a possible democracy (see the etymology of the term), simply because it doesn’t want to constitute a people. In short, Europe is just a dumb idea that has gradually turned into a bad dream, from which we shall eventually wake up. . .”  – Michel Houellebecq (I’ve shamelessly stolen this quote from A Political Refugee From the Global Village).

“Life is painful and disappointing. It is useless, therefore, to write new realistic novels. We generally know where we stand in relation to reality and don’t care to know any more.” – Michel Houellebecq

““I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.” – Michel Houellebecq

“It is interesting to note that the “sexual revolution” was sometimes portrayed as a communal utopia, whereas in fact it was simply another stage in the historical rise of individualism. As the lovely word “household” suggests, the couple and the family would be the last bastion of primitive communism in liberal society. The sexual revolution was to destroy these intermediary communities, the last to separate the individual from the market. The destruction continues to this day.”
― Michel Houellebecq

Advertisements

moral and immoral art

Oscar Wilde famously said that, “There is no such thing as a moral or an immoral book. Books are well written, or badly written.” He was of course wrong. Wilde said many clever things but the fact that a statement is clever does not make it true. And of course Wilde was a degenerate so he had an axe to grind.

Books take a moral stance. That may be an explicitly moral or immoral stance, or they may pretend to be neutral. But if you’re neutral on the subject of morality then you’re taking a stance on the issue – you’re coming down on the side of scepticism on the issue of morality.

It’s the same with movies and television, and even the visual arts. Even landscape painting is not immune – pure landscape painting became popular with the rise of the Romantic movement and it was implicitly nature-worship and implicitly pagan.

Everyone has a position on moral issues. If you claim to be indifferent to morality then you’re taking the stance that morality doesn’t matter so effectively you’re casting your vote for amorality at the very least.

Of course there’s a world of difference between an artist or writer (or film-maker or musician) who tolerates or ignores immorality and one who actively promotes. The former can be accused of cynicism or even cowardice, but the latter is actively evil.

It also has to be remembered that today more than ever art and literature are seen as political acts. It’s very hard to be neutral. Art and literature are energetically used to undermine what is left of traditional morality. The question of the morality of art and literature matters very much.

Can a work of art or a book be great and still be immoral? Wilde was certainly partially correct – books are either well written, or badly written. An immoral book can be superbly well written. Perhaps it can even achieve greatness. But it’s still an immoral book. It’s still evil.

Can we afford to tolerate great art and literature that is actively evil? My view is that the history of the past century is pretty strong evidence that we cannot.